Title: When Blood Calls
Author: BJ.K. Beck
Publisher: Bantam
Pages: 388
Series: Shadow Keepers #1
Format: Turkish copy
Source: Turkish publisher
Publisher: Bantam
Pages: 388
Series: Shadow Keepers #1
Format: Turkish copy
Source: Turkish publisher
Attorney Sara Constantine is thrilled with her promotion—until she finds out that she must now prosecute vampires and werewolves. The first defendant she’ll be trying to put away? Lucius Dragos, the sexy stranger with whom she recently shared an explosive night of ecstasy.
When Lucius kisses a beautiful woman sitting next to him at the bar, he’s hoping only to avoid the perceptive gaze of the man he’s planning to kill. But what starts as a simple kiss ignites into an all-consuming passion. Charged with murder, Luke knows that Sara is determined to see him locked away—unless he can convince her that he’s not a monster. And that might mean making the ultimate sacrifice.
When Lucius kisses a beautiful woman sitting next to him at the bar, he’s hoping only to avoid the perceptive gaze of the man he’s planning to kill. But what starts as a simple kiss ignites into an all-consuming passion. Charged with murder, Luke knows that Sara is determined to see him locked away—unless he can convince her that he’s not a monster. And that might mean making the ultimate sacrifice.
THE INTERVIEW:
You've practiced law, you've worked in the media, and
you've mentioned that "novels are where your heart is." What makes
writing novels better than writing for the screen or news?
Great question!
I thoroughly enjoy doing screenwriting and journalism (and writing legal
briefs), too. But with journalism and the law, you have to stick with
what is real--either the reporting of facts or the applying of facts to the
law. That's the nature of the beast. The creative aspect comes in
the how of telling, but the what is limited
by reality. (At least if you want to avoid being a subject of the news
yourself … because you were caught making up the news!)
As for screenwriting, I love it, too. But the two things that I find
so rewarding about writing novels are getting into the characters heads (i.e.,
internal dialogue) and the near-absolute creative control. Neither of
those really apply to screenplays. In screenwriting, you really need to
be able to translate what is on the page to action or dialogue. So there
is no need (and it's the sign of an amateur) to include a character's
internals. Even more so, though, a screenplay isn't a finished product
like a novel. There are a lot of hands stirring the pot, and by the time
it gets translated to the screen, the product may have changed substantially.
That isn't the case with novels.
You've worked in law, and Sara is an attorney. Are your characters based on
your and/or people you know?
Not directly, no. I suppose that every author pulls from people they
know, but I couldn't point to a specific person and say "oh, they are
Character X"
You write in different genres, which I think is fantastic. Do you have a
favorite?
Not really. I love variety, which is why I write in so many genres.
Right now, I'm writing erotica, and I am loving how much that genre is
conducive to getting really in depth with the characters and how they relate to
each other on so many levels.
Where does your interest in the paranormal genres come from?
I think probably from television. I was more or less weaned on I
Dream Of Jeannie and Bewitched. And the books I read as a kid tended
toward the paranormal (Half-Magic, Wrinkle in Time). There's something
about the idea of a "bigger" world that appeals to me!
Especially for non-Americans, "California" is a magical word. Has
living there inspired your writing? And how about Texas?
I love big cities, so to that extent, California (particularly Los Angeles)
is inspirational. That and all of the opportunities across so many careers.
And, of course, you can do so much with the locations -- California is so
diverse!
I confess that Texas doesn't do a lot for me. I may have been raised
here, but I'm not interested in writing about cowboys or oil or some of the
stereotypical Texas stuff. To me, Texas is Austin and Houston and Dallas.
In other words, eclectic and funky, or large and cultured!
I read that you've wanted to be a writer ever since you were a child. What
made you decide to really focus on it and write full-time?
I didn't quit to write full-time until it was financially viable. So
I'm fortunate that it worked out that way! The turning point was when
Carpe Demon was optioned for film. That was the year when I was able to
run the numbers and say that, yes, I could quit practicing law and we could
still eat and put gas in the cars!
My family was suspicious that I could write to buy food, as you put it. How
did your family react to it when you announced them you were going to study
journalism?
Oh, I think they suspected that. I edited my high school paper
throughout all of high school, and getting on staff at a newspaper or radio/tv
station wasn't really scary. The idea of being a novelist, though … that
scared me.
How does your family react to your work?
They think it's great … except when I'm on deadline and completely
disappear!
How do you juggle writing and family?
Honestly, it can be difficult, particularly as I homeschool (through this
year; next year, both kids will be in public school). It's so easy to
stay buried in work when you work at home, so it's important to carve out time
to do family stuff.
Some of our readers will be meeting you and your work for the first time.
What will they find in "When Blood Calls"?
Hopefully they'll find a story they love and characters that truly compel
them! When Blood Calls is near and dear to my heart. It's sort of a
paranormal law and order, but the characters have their own distinct moral
compass.
Do you have any advice for aspiring authors?
Read a lot! And write a lot! The more you write, the more you learn
about and develop your own voice!
Do you have a message for your Turkish readers?
Thank you so much for your support, and I hope you e
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